Сентябрьские открытки (ещё штуки 3, ранее не показаных):
Прямой обмен. Кто-то, как я, собирает рисунки цветов, а кто-то свиней. Свиньи обменялись под кодовым названием "свинюшки". Меня ещё про свиней спрашивали. Свиньи были в единственном экземпляре.... (эх. жаль : сколько ещё наменять можно было бы :)). Так что случай с коллецией свиней не единичный. Кто их знает, жителей мегаполисов,- тяга к природе, романтизация сельской жизни...
http://www.youtube.com/watch?v=0LXgB0aIyeo - немного в тему про Посёлок Городского Типа
1. В Португалию
Theodore I Rogiers (хе-хе, а в фрацузском пишется эта фамилия как "de Rasiers". Не только с названиями городов тут такая муть... А у нас дочь записали с мужской фамилией - типа фамилия должна быть либо по матери, либо по отцу, и никаких вариаций.), Rubens silver ornamental set, 1635-1636, Silver, donation by Pierre and Colette Bauchau, collection King Baudouin Foundation, exhibited at Rubens House, Antwerp. В наше время ещё есть пожертвования? Фонд Бодуэна называет чету "Noble-minded donors". Ну и дальше описаловка... Кстати, там и говорят, какое отношение Рубенс имеет ко всему этому.
In 1999, the King Baudouin Foundation came into the possession of two pieces of silver (a large basin and an ewer) that had belonged to Peter Paul Rubens and had been part of the heritage of his family’s descendants for almost four centuries. It is thanks to the generosity of two sponsors, Sir Pierre Bauchau and his wife, who acquired the objects at auction in Monaco with a view to donating them to the King Baudouin Foundation, that these masterpieces are now part of our cultural heritage. The pieces have been returned to their place of origin, the Rubens House in Antwerp.
A renowned artist
Théodore I de Rasiers came from a famous family of silversmiths. His reputation spread as far afield as the Court of England, particularly for the chased panels he made as veneers for furniture. His name even featured in Iconographie, a compendium of engravings representing famous artists, scholars and statesmen.
Close to Rubens
Examination of the iconography and style of this ensemble has shown that it is not impossible that Rubens participated in making the work. The fountain represented on the basin is very likely a copy of the one in the house of Rubens. The artist was also interested by the themes used to decorate these pieces of silver: the Triumph of Venus (on the ewer) and Suzanna and the Elders (on the basin). However, it is rather unlikely that Rubens himself would have designed the study for this impressive work of art.
The basin
An episode from the Old Testament is represented on the basin: Suzanne tormented by the Elders.
http://ru.wikipedia.org/wiki/%D0%A1%D1%83%D1%81%D0%B0%D0%BD%D0%BD%D0%B0,_%D0%B5%D0%B2%D1%80%D0%B5%D0%B9%D0%BA%D0%B0_%D0%B8%D0%B7_%D0%92%D0%B0%D0%B2%D0%B8%D0%BB%D0%BE%D0%BD%D0%B0
Suzanne and the Elders are in a garden from which, to the left, rises a fountain. The wide edge of the basin illustrates the four elements, separated by Amathea the goat, a coat of arms bearing a monogram, a triton and a nereid. In Antiquity, Suzanne traditionally symbolized chastity and redemption, but during the Renaissance, the story provided a pretext for artists to paint the female nude. The emphasis is therefore placed on the Elders’ attempts to undress Suzanne. The composition of the scene is undoubtedly reminiscent of some of Rubens’s drawings as he used this theme on numerous occasions. The fountain is given curiously important prominence.
2. В Россию.Théodore I de Rasiers came from a famous family of silversmiths. His reputation spread as far afield as the Court of England, particularly for the chased panels he made as veneers for furniture. His name even featured in Iconographie, a compendium of engravings representing famous artists, scholars and statesmen.
Close to Rubens
Examination of the iconography and style of this ensemble has shown that it is not impossible that Rubens participated in making the work. The fountain represented on the basin is very likely a copy of the one in the house of Rubens. The artist was also interested by the themes used to decorate these pieces of silver: the Triumph of Venus (on the ewer) and Suzanna and the Elders (on the basin). However, it is rather unlikely that Rubens himself would have designed the study for this impressive work of art.
The basin
An episode from the Old Testament is represented on the basin: Suzanne tormented by the Elders.
http://ru.wikipedia.org/wiki/%D0%A1%D1%83%D1%81%D0%B0%D0%BD%D0%BD%D0%B0,_%D0%B5%D0%B2%D1%80%D0%B5%D0%B9%D0%BA%D0%B0_%D0%B8%D0%B7_%D0%92%D0%B0%D0%B2%D0%B8%D0%BB%D0%BE%D0%BD%D0%B0
Suzanne and the Elders are in a garden from which, to the left, rises a fountain. The wide edge of the basin illustrates the four elements, separated by Amathea the goat, a coat of arms bearing a monogram, a triton and a nereid. In Antiquity, Suzanne traditionally symbolized chastity and redemption, but during the Renaissance, the story provided a pretext for artists to paint the female nude. The emphasis is therefore placed on the Elders’ attempts to undress Suzanne. The composition of the scene is undoubtedly reminiscent of some of Rubens’s drawings as he used this theme on numerous occasions. The fountain is given curiously important prominence.
Прямой обмен. Кто-то, как я, собирает рисунки цветов, а кто-то свиней. Свиньи обменялись под кодовым названием "свинюшки". Меня ещё про свиней спрашивали. Свиньи были в единственном экземпляре.... (эх. жаль : сколько ещё наменять можно было бы :)). Так что случай с коллецией свиней не единичный. Кто их знает, жителей мегаполисов,- тяга к природе, романтизация сельской жизни...
http://www.youtube.com/watch?v=0LXgB0aIyeo - немного в тему про Посёлок Городского Типа
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